Mest4: “I’m fake, I’m flirty and I’ve got double F’s.” Do structured reality TV shows like Geordie Shore dumb down UK and television culture?

“I’m fake, I’m flirty and I’ve got double F’s.” Do structured reality TV shows like Geordie Shore dumb down UK and television culture?

The phenomenon of the hybrid between drama and reality TV recently known as ‘dramality’ has vastly spread, becoming a huge ratings success throughout the UK. “The latest big trend in television is the 'dramality' - reality programs with made-up scenarios to heighten both the drama and the trashiness.”[1] Is the definition of dramality TV described by a ‘today tonight’ article. The three dramality shows of MTV: The Hills, Geordie Shore and Jersey Shore on their premier nights had combined views of 1.3 million (Geordie Shore bringing in 329,000 of those viewers). The institution MTV’s target audience is perfectly in sync with the target audience of Geordie Shore which follows a group of ‘Geordies’ who continuously consume alcohol, argue and party. However, many have argued that shows such as these ‘dumb down’ our UK culture and television. Geordie Shore in particular was heavily criticised by residents of Newcastle and more importantly MPs who would agree with the hypothesis that these shows ‘dumb down’ our culture.Newcastle MP Chi Onwurahstated: “By putting these young people in this situation, it is encouraging them to lose all their dignity. It's totally unrepresentative of Newcastle."[2] This, however, is not the view of all the critics as some believe they are noble and strive to be hated in order to succeed. People no longer simply aspire to be famous. They aspire to be hated. As the Guardian recently joked, "Authorised media hate figure" is now a valid career.[3] Looking into whether this hypothesis can be justified has a case on both sides: is it sheer ‘trash TV’ or is there a positive to these structured reality TV shows?

The history of reality television has developed rapidly throughout the years. From the early daysCinéma vérité, right down to structured reality television. Once reality television came onto the screens in a documentary style like cinema verite which showed the raw honest truth and “an attempt to bring cinema the freer reporting methods of television”[4]It often came with a strong political message where the camera never lied, however now it can be argued with the new hybrid in place these shows lack substance and any meaning. Geordie Shore is deemed what we call nowadays a structured reality television show. Regarding a historical context that was linked Geordie Shore was quite difficult to find in particular the northern England region. So linking it to the Cinéma vérité era itself was a better idea. This era of cinema was what the 60's/70's deemed as the honest truth. It was documentary styled film usually fly on the wall and the slogan for Cinéma vérité was "the camera doesn't lie"

The idea of a set up, structured situation for the camera to record and rely on reactions is essentially what both are about. This idea of 'stylised set ups' here film makers have a conversation with audience about the subject is almost identical to what happens in Geordie Shore.

These two are very similar however there are just as many differences. Throughout the years political and hidden message within these shows have changed. The idea of Cinéma vérité was to voice the underrepresented and these ideologies have changed as time has passed. Especially in the north of England it was usually honest, truthful representations of the hard working class. Comparing to the today's adaptation of Cinéma vérité we have the northerners being represented as 'slutty, alcoholic, air head c list celebrities.'

Geordie Shore is a show that taps into young audiences and in sync with the institution MTV’s target audience “12- 34”[5] of the demographic classification C2/D/E, (this is skilled manual workers, manual workers and unemployed). With the target audience age consuming so much television, this leaves them vulnerable to the hypodermic and disinhibition theory. The hypodermic theory suggests that the mass media have a direct effect on consumers and “The mass media in the 1940s and 1950s were perceived as a powerful influence on behaviour change”[6] Similar to the disinhibition theory which suggests that activities that audiences generally disapprove of, once frequently seen in the media as acceptable these activities seem more accessible to audiences. This can be deemed a increasing problem as “Child-development experts agree that adolescent brains aren't wired to understand much of the vast world explored on reality television today.” [7] Because of its vulnerable target audience young people consume these negative representations and could possible imitate them. Geordie Shore has seen ratings increase series by series and the most recent series trailer has helped with this. As seen in the series 4 trailer a lot of the series action is condensed into the minute trailer. Regarding new and digital media, this was shown on the Geordie Shore website before MTV. This is a direct this a direct attempt to tap into the target audience. At the end of the trailer we see ‘Geordie Shore’ hash tagged encouraging audiences to join in the conversation and often this has the ‘word of mouth’ effect. The internet then provides a pivotal promotional campaign for structured reality TV shows, and institutions are aware of this as the internet “it is an integral part of the process of becoming independent”[8]Still asking the question of does it dumb down our television and culture, the language used is not the most academic and challenging. “Jaeger bombs and knickers and everything flying everywhere.” Following the codes and conventions of interesting audiences of 12-34 simple texts along the screen moves the trailer along allowing younger audiences to understand without any difficulties. So how does Geordie Shore actually dumb down UK culture? Well the representation of Newcastle is challenged and this can link to the cultivation theory. “Television viewers are cultivated to view reality similarly to what they watch on television.”[9] This is the idea that consumers of television shows that represent a certain group of people, subconsciously our behaviour changes due to what we see on television. Audiences could then have a preconception that all people from Newcastle can “talk the back legs off a donkey”. The group of Tyneside youngsters give off the impression that they are idiotic and this lifestyle is something to be proud of. In an interview two cast female members are asked to compare their show to rival structured reality TV show ‘The Valleys.’ Sarcastically mocking the rival welsh show they glorify their outrageous antics stating “They got naked? We did that in series one. They have sex? Did that in series one.” Audiences seeing this assume these antics are acceptable which carries a representation of residents of Newcastle and overall the UK.

Alternative structured reality TV shows also carry the same values and ideologies reinforcing the original hypothesis. The Only Way Is Essex which has been running since October 2010 despite many critics. The idea of ‘dumbing down’ UK culture can be seen in the first seconds of the trailer for the latest series as one of the Essex gentlemen struggles to countdown from five and laughs it off. It could be argued that this in fact ‘dumb down’ UK culture and the outrageous comments like “a cheeky snog maybe a new bum” all reinforces the idea. The rejuvenation of reality TV has been deemed to be the show Big Brother, and the adaptation of it being sold to the public as a social experiment can be compared to what it has been labelled today as ‘trash TV’. The show has developed into a social farce where “68% of respondents expressed enjoyment at witnessing a group conflict”[10] The general excitement for the show reverberated round the world and as the years went on audiences began to question social experiment vs entertainment values. Speaking under literal terms of ‘dumbing down’ “Japanese researchers conducted some of the earliest research on the relationship between television and impaired academic achievement.”[11] This is the idea that structured reality TV shows actually make audiences ‘thicker’ and damages their direct intelligent. According to BBC news reality TV shows not only damage UK culture, but also hindering young people’s success in life. For example getting a job and becoming academically successful. “You become famous you become a success with out trying. That’s the sort of values they are implying”.[12]

Structured reality TV shows overall can also be an example of hegemony. Behind all the scenes it can be said that these shows are commissioned by white middle class people. By portraying the working class in such repulsive ways (getting drunk, having sex, arguing, uneducated) is a way of essentially keeping them ‘in their place.’So not only can it be argued that structured reality TV shows dumb down television and culture, maintains the metaphorical gap between working class and middle class by representing them negatively and praised for it. Producers make audiences feel a sense of power within structured reality TV shows and this sense of becoming omniscient. So, is this acceptable to watch how people live? Watch their every move? Who they talk, argue and have sexual intercourse with? On reality TV terms this is acceptable. A political message that is left unanswered due to hegemonic view that the middle class who possibly don’t want to answer. Maybe these working class ‘air heads’ making a fools of themselves is in their interest. Judging by the ratings, audiences are unaware of this because Geordie Shore is so simplistic and seems to be nothing more than young people having fun.

On the other hand of this hypothesis understanding the few positive aspects of reality TV is something that should be recognised. It is not a complete hatred and negative attitude to reality TV progressing as “8% of respondents said reality TV has changed for the better and 7% think it has not affected anything”.[13]The fact that consumers believe that it has changed for the better suggests that there are some positives to take out of reality TV. It can also be argued that times are moving on and people no longer want to accept what broadcasters’ idea of what is good for consumers. Giving the public what they want is not harmful and entertaining the UK is what TV is for. Freedom of speech and a liberal representative democracy is essentially what reality TV is, a democracy. If a character is not liked they are voted out and the power resides with the people. With these counter arguments very valid, no denying the negatives outweigh the positive.

Reality TV has come a long way and has adapted very intelligently tapping into audiences and coming up with this concept ‘dramality TV’. Geordie Shore is no doubt an entertaining show, however dumbing down the UK culture can questioned. The effect of structured reality TV leads to the target audiences striving to be uneducated, vulgar and consequently be praised and loved for it. The domino effect of this is the more dramality shows the UK produces the more negative representations, the more youngsters strive to be celebrities for nothing and the more taboo subjects become acceptable. From all types of reality TV shows convey a strong political message behind it. Talent shows, who is an individual to tell them if they have talent if not? All the way to the hegemonic ideology within structured reality TV shows. The media is such a huge influencing in shaping opinions as “teens spend 7 hours and 39 minutes consuming media every day”.[14] With so much time spent consuming the media we begin to question what are audiences actually being fed? Geordie Shore is just one of many structured reality TV shows that have this negative effect on audiences, and with the ratings of shows like this increasing we can ask the question can it get worse in years to come? Clearly judging by the evidence, it has a negative effect on the public and in fact it could suggest that shows like Geordie Shore do ‘dumb down’ television and UK culture.

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