Friday, 1 February 2013

“I’m fake, I’m flirty and I’ve got double F’s.” Do structured reality TV shows like Geordie Shore dumb down UK and television culture?


“I’m fake, I’m flirty and I’ve got double F’s.” Do structured reality TV shows like Geordie Shore dumb down UK and television culture?

The phenomenon of the hybrid between drama and reality TV recently known as ‘dramality’ has vastly spread, becoming a huge ratings success throughout the UK. “The latest big trend in television is the 'dramality' - reality programs with made-up scenarios to heighten both the drama and the trashiness.”[1] Is the definition of dramality TV described by a ‘today tonight’ article. The three dramality shows of MTV: The Hills, Geordie Shore and Jersey Shore on their premier nights had combined views of 1.3 million (Geordie Shore bringing in 329,000 of those viewers). The institution MTV’s target audience is perfectly in sync with the target audience of Geordie Shore which follows a group of ‘Geordies’ who continuously consume alcohol, argue and party. However, many have argued that shows such as these ‘dumb down’ our UK culture and television. Geordie Shore in particular was heavily criticised by residents of Newcastle and more importantly MPs who would agree with the hypothesis that these shows ‘dumb down’ our culture.Newcastle MP Chi Onwurahstated: “By putting these young people in this situation, it is encouraging them to lose all their dignity. It's totally unrepresentative of Newcastle."[2] This, however, is not the view of all the critics as some believe they are noble and strive to be hated in order to succeed. People no longer simply aspire to be famous. They aspire to be hated. As the Guardian recently joked, "Authorised media hate figure" is now a valid career.[3] Looking into whether this hypothesis can be justified has a case on both sides: is it sheer ‘trash TV’ or is there a positive to these structured reality TV shows?


The history of reality television has developed rapidly throughout the years. From the early daysCinéma vérité, right down to structured reality television. Once reality television came onto the screens in a documentary style like cinema verite which showed the raw honest truth and “an attempt to bring cinema the freer reporting methods of television”[4]It often came with a strong political message where the camera never lied, however now it can be argued with the new hybrid in place these shows lack substance and any meaning. Geordie Shore is deemed what we call nowadays a structured reality television show. Regarding a historical context that was linked Geordie Shore was quite difficult to find in particular the northern England region. So linking it to the Cinéma vérité era itself was a better idea. This era of cinema was what the 60's/70's deemed as the honest truth. It was documentary styled film usually fly on the wall and the slogan for Cinéma vérité was "the camera doesn't lie"
The idea of a set up, structured situation for the camera to record and rely on reactions is essentially what both are about. This idea of 'stylised set ups' here film makers have a conversation with audience about the subject is almost identical to what happens in Geordie Shore.
These two are very similar however there are just as many differences. Throughout the years political and hidden message within these shows have changed. The idea of Cinéma vérité was to voice the underrepresented and these ideologies have changed as time has passed. Especially in the north of England it was usually honest, truthful representations of the hard working class. Comparing to the today's adaptation of Cinéma vérité we have the northerners being represented as 'slutty, alcoholic, air head c list celebrities.'

Geordie Shore is a show that taps into young audiences and in sync with the institution MTV’s target audience “12- 34”[5] of the demographic classification C2/D/E, (this is skilled manual workers, manual workers and unemployed). With the target audience age consuming so much television, this leaves them vulnerable to the hypodermic and disinhibition theory. The hypodermic theory suggests that the mass media have a direct effect on consumers and “The mass media in the 1940s and 1950s were perceived as a powerful influence on behaviour change”[6] Similar to the disinhibition theory which suggests that activities that audiences generally disapprove of, once frequently seen in the media as acceptable these activities seem more accessible to audiences. This can be deemed a increasing problem as “Child-development experts agree that adolescent brains aren't wired to understand much of the vast world explored on reality television today.” [7] Because of its vulnerable target audience young people consume these negative representations and could possible imitate them. Geordie Shore has seen ratings increase series by series and the most recent series trailer has helped with this. As seen in the series 4 trailer a lot of the series action is condensed into the minute trailer. Regarding new and digital media, this was shown on the Geordie Shore website before MTV. This is a direct this a direct attempt to tap into the target audience. At the end of the trailer we see ‘Geordie Shore’ hash tagged encouraging audiences to join in the conversation and often this has the ‘word of mouth’ effect. The internet then provides a pivotal promotional campaign for structured reality TV shows, and institutions are aware of this as the internet “it is an integral part of the process of becoming independent”[8]Still asking the question of does it dumb down our television and culture, the language used is not the most academic and challenging. “Jaeger bombs and knickers and everything flying everywhere.” Following the codes and conventions of interesting audiences of 12-34 simple texts along the screen moves the trailer along allowing younger audiences to understand without any difficulties. So how does Geordie Shore actually dumb down UK culture? Well the representation of Newcastle is challenged and this can link to the cultivation theory. “Television viewers are cultivated to view reality similarly to what they watch on television.”[9] This is the idea that consumers of television shows that represent a certain group of people, subconsciously our behaviour changes due to what we see on television. Audiences could then have a preconception that all people from Newcastle can “talk the back legs off a donkey”. The group of Tyneside youngsters give off the impression that they are idiotic and this lifestyle is something to be proud of. In an interview two cast female members are asked to compare their show to rival structured reality TV show ‘The Valleys.’ Sarcastically mocking the rival welsh show they glorify their outrageous antics stating “They got naked? We did that in series one. They have sex? Did that in series one.” Audiences seeing this assume these antics are acceptable which carries a representation of residents of Newcastle and overall the UK.
Alternative structured reality TV shows also carry the same values and ideologies reinforcing the original hypothesis. The Only Way Is Essex which has been running since October 2010 despite many critics. The idea of ‘dumbing down’ UK culture can be seen in the first seconds of the trailer for the latest series as one of the Essex gentlemen struggles to countdown from five and laughs it off. It could be argued that this in fact ‘dumb down’ UK culture and the outrageous comments like “a cheeky snog maybe a new bum” all reinforces the idea.  The rejuvenation of reality TV has been deemed to be the show Big Brother, and the adaptation of it being sold to the public as a social experiment can be compared to what it has been labelled today as ‘trash TV’. The show has developed into a social farce where “68% of respondents expressed enjoyment at witnessing a group conflict”[10] The general excitement for the show reverberated round the world and as the years went on audiences began to question social experiment vs entertainment values. Speaking under literal terms of ‘dumbing down’ “Japanese researchers conducted some of the earliest research on the relationship between television and impaired academic achievement.”[11] This is the idea that structured reality TV shows actually make audiences ‘thicker’ and damages their direct intelligent.  According to BBC news reality TV shows not only damage UK culture, but also hindering young people’s success in life. For example getting a job and becoming academically successful. “You become famous you become a success with out trying. That’s the sort of values they are implying”.[12]


Structured reality TV shows overall can also be an example of hegemony. Behind all the scenes it can be said that these shows are commissioned by white middle class people. By portraying the working class in such repulsive ways (getting drunk, having sex, arguing, uneducated) is a way of essentially keeping them ‘in their place.’So not only can it be argued that structured reality TV shows dumb down television and culture, maintains the metaphorical gap between working class and middle class by representing them negatively and praised for it. Producers make audiences feel a sense of power within structured reality TV shows and this sense of becoming omniscient. So, is this acceptable to watch how people live? Watch their every move? Who they talk, argue and have sexual intercourse with? On reality TV terms this is acceptable. A political message that is left unanswered due to hegemonic view that the middle class who possibly don’t want to answer. Maybe these working class ‘air heads’ making a fools of themselves is in their interest. Judging by the ratings, audiences are unaware of this because Geordie Shore is so simplistic and seems to be nothing more than young people having fun.
On the other hand of this hypothesis understanding the few positive aspects of reality TV is something that should be recognised. It is not a complete hatred and negative attitude to reality TV progressing as “8% of respondents said reality TV has changed for the better and 7% think it has not affected anything”.[13]The fact that consumers believe that it has changed for the better suggests that there are some positives to take out of reality TV. It can also be argued that times are moving on and people no longer want to accept what broadcasters’ idea of what is good for consumers. Giving the public what they want is not harmful and entertaining the UK is what TV is for. Freedom of speech and a liberal representative democracy is essentially what reality TV is, a democracy. If a character is not liked they are voted out and the power resides with the people. With these counter arguments very valid, no denying the negatives outweigh the positive.
Reality TV has come a long way and has adapted very intelligently tapping into audiences and coming up with this concept ‘dramality TV’. Geordie Shore is no doubt an entertaining show, however dumbing down the UK culture can questioned. The effect of structured reality TV leads to the target audiences striving to be uneducated, vulgar and consequently be praised and loved for it. The domino effect of this is the more dramality shows the UK produces the more negative representations, the more youngsters strive to be celebrities for nothing and the more taboo subjects become acceptable. From all types of reality TV shows convey a strong political message behind it. Talent shows, who is an individual to tell them if they have talent if not? All the way to the hegemonic ideology within structured reality TV shows. The media is such a huge influencing in shaping opinions as “teens spend 7 hours and 39 minutes consuming media every day”.[14] With so much time spent consuming the media we begin to question what are audiences actually being fed? Geordie Shore is just one of many structured reality TV shows that have this negative effect on audiences, and with the ratings of shows like this increasing we can ask the question can it get worse in years to come? Clearly judging by the evidence, it has a negative effect on the public and in fact it could suggest that shows like Geordie Shore do ‘dumb down’ television and UK culture.

Word Count: 1,998





[4]Cinema Verite, Ali Issari. M (1979), P. 64

[6]http://www.utwente.nl/cw/theorieenoverzicht/Levels%20of%20theories/macro/Hypodermic%20Needle%20Theory.doc/
[8] Teenagers and the internet, Panzarine S, (2001) P. 35
[10]Reality TV: the work of being watched, Andrejevic. M (2004) P. 11
[13]Reality Television Kopp M. (2013) P. 27

Thursday, 10 January 2013

Draft one "Do structured reality television shows like Geordie Shore dumb down British culture?


"Reality TV encourages people to pursue celebrity status, and discourages the value of hard work and an education."

In this critical investigation i am going to look at why it is so frequently discussed that the new craze 'structured reality' television better known in recent times as 'dramality' television, (a cross between drama and reality television) and ask the question are these programmes to blame for our culture being 'dumbed down?' I will be discussing is it this a true statement and to what extent? My key focus on the hit series 'Geordie Shore.' A show that follows eight northerns on their talentless, argumentative and drunkard adventures. They now have been deemed celebrities and have endorsements round Britain, this poses the key question which is in fact my hypothesis: modern structured reality television is dumbing down British culture and television.

The history of reality television has developed rapidly throughout the years. From the early days of cinema verite right down to structured reality television. All having one similar key concept which is called ethnofiction.   This is essentially a type of narrative where the characters speak directly to the audience regarding the situation of what is being shown. So why has this changed throughout the years, and why has it dumbed down our culture? "I think that reality TV is so bad. It is a tool by the media to not make people think." Once reality television came onto the screens in a documentary style like cinema verite which showed the raw honest truth that we never saw for ourselves. Often with a strong political message where the camera never lied, however now it lacks substance and any meaning other than watching young people get drunk and aspiring to have such a lifestyle. This brings us to believe that the camera showing the truth through the prior years is now in the complete opposite state, and reality television in the modern era is for sheer entertainment value.

There is a numerous amount of evidence to suggest that this hypothesis can be deemed true. The modelling theory is young audiences in particularly the target audience of Geordie Shore is an imitation of behaviour or pareses. This theory is essentially glorified in the programme as the cast members tend to make up slang words and instantly they would 'hashtag' the word and through the use of new and digital media promote it via social networking sites. With these talentless role models having such influence to their audiences another theory that could link to this is the disinhibition theory. This is the idea that the younger generation (who structured reality shows like Geordie Shore target) disagree or object to something but once seen on television frequently by stars they become acceptant of these things. Desensitization theory says that people will become less affected by certain things that once bothered them and eventually it won’t seem as offensive to them any more. This could be anything from smoking, drug use, swearing right down to sexual activity.


Sunday, 6 January 2013



In this critical investigation i am going to look at why it is so frequently discussed that the new craze 'structured reality' television better known in recent times as 'dramality' television, (a hybrid between drama and reality television) and ask the question are these programmes to blame for our culture being 'dumbed down?' I will be discussing is it this a true statement and to what extent? My key focus on the hit series 'Geordie Shore.' A show that follows eight northerns on their talentless, argumentative and drunkard adventures. They now have been deemed celebrities and have endorsements round Britain, this poses the key question which is in fact my hypothesis: modern structured reality television is dumbing down British culture and television.

 The history of reality television has developed rapidly throughout the years. From the early days of cinema verite right down to structured reality television. All having one similar key concept which is called ethnofiction.   This is essentially a type of narrative where the characters speak directly to the audience regarding the situation of what is being shown. So why has this changed throughout the years, and why has it dumbed down our culture? "I think that reality TV is so bad. It is a tool by the media to not make people think." Once reality television came onto the screens in a documentary style like cinema verite which showed the raw honest truth that we never saw for ourselves. Often with a strong political message where the camera never lied, however now it lacks substance and any meaning other than watching young people get drunk and aspiring to have such a lifestyle. This brings us to believe that the camera showing the truth through the prior years is now in the complete opposite state, and reality television in the modern era is for sheer entertainment value.


There is a numerous amount of evidence to suggest that this hypothesis can be deemed true. The modelling theory is young audiences in particularly the target audience of Geordie Shore is an imitation of behaviour or pareses. This theory is essentially glorified in the programme as the cast members tend to make up slang words and instantly they would 'hashtag' the word and through the use of new and digital media promote it via social networking sites. With these talentless role models having such influence to their audiences another theory that could link to this is the disinhibition theory. This is the idea that the younger generation (who structured reality shows like Geordie Shore target) disagree or object to something but once seen on television frequently by stars they become acceptant of these things. Desensitization theory says that people will become less affected by certain things that once bothered them and eventually it won’t seem as offensive to them any more. This could be anything from smoking, drug use, swearing right down to sexual activity.

Saturday, 5 January 2013

Critical Investigation Plan

INTRODUCTION

- Brief introduction to what Geordie Shore is, when it started, values and possibly a bit about the institution MTV.

- My hypothesis 'Structured reality television such as Geordie Shore is a factor of a dumbed down culture we are deemed to have'

PARAGRAPH ONE

. Explain hypothesis
- Why I think this
- Researched evidence

- "Reality TV is sleazy, it is manipulative. It is as momentary as anything in popular culture. Morley Safer"

PARAGRAPH TWO

. Speak a bit about Ethnofiction
- development of reality tv
-History of social experiment vs Entertainment values

PARAGRAPH THREE

. Structured reality tv references
- The Only Way Is Essex
- air head fame
- Political messages


PARAGRAPH FOUR

. Counter arguments
- For and against

-"We live in an age of mass culture. More people read tabloids than the broadsheets, and reality TV is a fair reflection of this."

-"It exploits the vulnerable, and has been condemned by the Mental Health Foundation for doing so."

Thursday, 20 December 2012

Task 3: HISTORICAL TEXT ANALYSIS AND RESEARCH

Cinema Verite Vs Geordie Shore?





Geordie Shore is deemed what we call nowadays a structured reality television show. Regarding a historical context that was linked Geordie Shore was quite difficult to find in particular the northern England region. So linking it to the Cinéma vérité era itself was a better idea. This era of cinema was what the 60's/70's deemed as the honest truth. It was documentary styled film usually fly on the wall and the slogan for Cinéma vérité was "the camera doesn't lie"

How does Cinéma vérité link to Geordie Shore?

The idea of of a set up, structured situation for the camera to record and rely on reactions is essentially what both are about. This idea of 'stylised set ups' here film makers have a conversation with audience about the subject is almost identical to what happens in Geordie Shore.

These two are very similar however there are just as many differences. Throughout the years political and hidden message within these shows have changed. The idea of Cinéma vérité was to voice the underrepresented and these ideologies have changed as time has passed. Especially in the north of England it was usually honest, truthful representations of the hard working class. Comparing to the today's adaptation of Cinéma vérité we have the northerners being represented as 'slutty, alcoholic, air head c list celebrities.' Mentioned by Newcastle upon Tyne MP constantly ranting that the show does not represent a true reflection of Newcastle.

Ethnofiction is a neologism which refers to an ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology. It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters (natives) play their own roles as members of an ethnic or social group. This is a key concept with a show like this as this is what the show is based around.

Task 2 BIBLIOGRAPHY


Works Cited
Andrejevic, Mark. Reality TV: the work of being watched. Lanham, Md.: Rowman & Littlefield Publishers, 2004. Print.
Balkin, Karen. Reality TV. San Diego, Calif.: Greenhaven Press, 2004. Print.
Murray, Susan, and Laurie Ouellette. Reality TV: remaking television culture. New York: New York University Press, 2004. Print.
Skeggs, Beverley, and Helen Wood. Reacting to reality television: performance, audience and value. New York: Routledge, 2012. Print.
Wyatt, Wendy N.. The ethics of reality TV: a philosophical examination. New York: Continuum, 2012. Print.

Thursday, 6 December 2012


Task 1 Textual Analysis

Geordie Shore season 4 trailer















CLAMPS  


  • Costume is one of the most obvious aspects to the video the short skirts, assets on show and the V cut tops for the males showing their chest or in a vest top. High use of make up really re-enforcing the idea of the glitz and glamour element to the show. 
  • Lighting is very high in order to create this hyper reality idea. Some of the lighting in this trailer is very artificial possibly referring the the artificial element of the show. The lighting is high key enabling audiences to see everything as it should be seen but as seen in night time scenes the lighting is still available giving the audience a sense of power.
  • As researched the codes and conventions of targeting a young audience, large, simple read texts appearing on screen immediately grips and interest the target audience of this kind of show. The trailer immediately begins by saying 'they've arrived' this triggers all kinds of questions. The actual video contains a lot of high speed action and showing snippets of big moments in the season. It is almost a cliff hanger as the short quotes tease the audience 'Gaz has finally met his match' 'I have a boyfriend and I'm in Gary's bed' This immediately engages the young audiences. 
  • Make up is of course used a lot in shows like these. The cast members often promote idea of being 'fake' is the way forward. One slogan of the cast members is 'I'm fake, flirty and I've got double F's' The make up element to the show just another aspect to it dumbing down television?
  • Props in this trailer there is no single one, however the one that appears the most is cups of alcohol. Constantly we see cast members with cups or glasses of alcohol. This shows teens that boozing is a necessity in order to have fun, or as they and much teenagers now call it 'getting mortal.'
  • Setting is the most important element in this as it embodies (in cast members eyes) exactly what it means to be Geordie. In every single monologue the cast members have there is a faint background picture of something linked with Newcastle. Newcastle in the trailer is described as 'our playground' and even around the house there are Geordie landmarks round the house. The setting in this show is the most important the as it is stressed in the name and being Geordie is what this show is all about.

Issues and debates

Representation in Geordie Shore representation is one of the main focuses on issues and debate. The consistent criticism of how the cast members do not represent the true Geordie lifestyle.
In the trailer we see and hear the Geordies speak about how Newcastle is their play ground and they will cause chaos, this links back to representation as audiences begin to believe that this is how Geordies behave.
A theory that links in with this aspect is cultivation theory. Similar yet very different to the hypodermic theory where rather than audiences being passive viewers and the re-enacting what they see in the programme, cultivation theory changes public opinion gradually by the amount of telly they consume. 'Heavy Viewers' of Geordie Shore then begin to believe slowly that this is what Newcastle is like and begin to form opinions. Of course the more television watched the more you believe it. This theory is especially vulnerable to the target audience of Geordie Shore as well.

Additional Research

 Melissa Wendy, 21 Newcastle-Upon-Tyne

When asked to watch the trailer and to answer whether this is a fair representation of Geordies the answer was:

"I disagree, there are some members who are like this around the area, however it is a very small minority which are over represented for entertainment purposes. Furthermore those who are represented are only like that even more because of the introduction of Geordie shore."

This is an interesting opinion from someone who lives in this environment who is of a similar age to cast members who have completely different beliefs. The video was concentrated into everything that is wrong with Newcastle which has been glorified by this show.








Geordie Shore Season 4 teaser




CLAMPS


  • Coustume similar to the first trailer the females in revealing clothing and the males in tight tops. However the angle has been taken very differently after the 'atomic boom' in the trailer hits the floor as they sexualize the clothing and we see cast members clothes removed into corsets and males topless. This is simply the voyeuristic aspect to this where teens have 'eye candy' to look upon. We see the two new members muscles before we even see their face which clearly outlines the importance of eye candy
  • Lighting is very artificial in this trailer as low key and bottom lighting is used to make the cast members seem angelic and a breath of fresh air. Cast members walking down the street on a dark night however the lighting on them is high
  • Audiences are gripped to this trailer but the anticipation of the new cast members and the connotations this trailer brings. Things done in this trailer was for a specific purpose down to the script and the casts' actions in order to grip the audience. "This is going to be mint" while flirtingly waving at the boys posts questions in audiences head engaging them into the trailer instantly.
  • Make up as usual is of course high to keep the impression of looking good to teenagers is such an important aspect. This idea of being fake is a good thing and glorified is seen through the long nails, hair extensions and eye lashes.
  • Props used here is and engagement ring which symbolised a lot throughout the trailer as it flew away and the cast member Rici was grasping to get it. This symbolised the breaking up of his engagement which is later found out during the series. The phone smashing on the floor and cracking which we see is the cast member Sophie's boyfriend who also have a rocky relationship through series 4 also. All props used for a key purpose.
  • Setting is a normal road in Newcastle again Newcastle being so iconic to them but by setting it here and not at some sort of exclusive VIP bar it attempts to show the audience that they are normal people as they stroll past the kebab shop almost attempting to relate to audiences.